Breakfast at Tiffany’s – 1961 – Inglés
Synopsis: After one of her frequent visits to Tiffany’s–New York City’s dazzling jewellery store–and the maximum security Sing-Sing prison for mobster Sally Tomato’s weekly “weather report”, Holly Golightly, Manhattan’s elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly’s superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly’s beguiling allure. Even though they don’t openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany’s be the prelude to a breezy young love?
Review: I’ve loved Breakfast at Tiffany’s since I was nine. Even before I completely understood about Holly’s “profession”, I was captivated by the grace and magic that was Audrey Hepburn.
George Peppard plays Paul Varjak, a writer who has to earn his living through a wealthy socialite, Patricia Neal, as her “kept” man. Audrey, who plays Holly Golightly, is a gold-digging call girl, who is looking for the right rich man to marry. Though you would think these two would be unflattering characters, they are both very charming and put on phony personas (especially in Holly’s case) in order to survive.
You have to marvel at how a woman like Audrey could look so good in anything she wore. At the beginning of the movie when she first meets Peppard, she’s only wearing a simple white shirt that she wears as a nightgown or at the party scene when she first comes out and greets her friend O.J. Berman wearing nothing but a sheet made up to look like a dress! Gorgeous!
It’s a marvelous piece of acting when Holly first meets Paul in her apartment, and she’s talking about how she has to get ready to meet one of her “clients” in jail, Sally Tomato, and she’s talking about her profession, looking at herself in the mirror, getting dressed, asking Paul to find one of her shoes, etc., and then, voila! the famous basic black dress and hat with the wide brim. Very stylish – and in the scene she is given much to work with, the way she has to juggle the dialogue and the action of what she is doing all at once. Very natural and sophisticated at the same time.
Audrey is very believable as Holly because her character is someone who is pretending to be sophisticated, hanging around with phony people, but really comes from humble beginnings. Once in a while you will hear in her voice the “country-girl” drawl, and you will see through the facade of Holly Golightly who she really is. George Peppard is also very handsome and believable as the “starving” writer who also has to sell himself out in order to earn a living.
Many complaints have been made about Mickey Rooney and the “stereotypical” portrayal of the landlord Mr. Yunioshi. Yes, it is stereotyped, but nonetheless, I still thought it was funny. The party scene is one of the best in the movie – hilarious! Wonderful score by Henry Mancini. Of course it’s a classic scene when Holly pulls up in front of Tiffany’s in the New York taxi, drinking coffee and eating a danish in front of the window. New York City itself is like a vibrant, interesting character in the movie. I could go on and on.
And to top it all off, it’s a very romantic love story about two people who find happiness in the crazy, mixed-up world we live in. A classic. Recommended to anyone who loves old Hollywood cinema.